Chirgilchin

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Biography

Formed in 1996, Chirgilchin has captivated audiences worldwide with its profound mastery of Tuvan throat singing, a mesmerizing vocal art form from the heart of Central Asia. The group's name, meaning both "dance of the air in the heat of the day" and "miracle," perfectly encapsulates the ethereal and enchanting nature of their music. Chirgilchin's repertoire tells the rich stories of Tuva, its majestic steppes, spirited horses, and resilient people, all through the unique sounds of throat singing. This traditional music, echoing the pentatonic scales of American blues, creates a vibrant tapestry of sound, featuring buoyant drones and intricate overtones that invoke the serene and rugged landscape of Tuva.

In a significant evolution of their journey, Chirgilchin is entering a new era that honors its roots while embracing the future. The ensemble now includes original founding members Igor Koshkendey and Aidysmaa Koshkendey, alongside their sons Aigor Koshkendey and Choldug Koshkendey, transforming Chirgilchin into a dynamic family group. This change marks a pivotal moment in the group's history, blending the profound legacy of the past with fresh perspectives and energy.

Igor Koshkendey, renowned for his unparalleled skill in throat singing, continues to be a driving force in the group. His achievements, including winning the top prize at the International Competition of Throat Singing and a Latin Grammy award, showcase his global influence and mastery of this art form.

Aidysmaa Koshkendey's vocals, celebrated across Tuvan and international stages, bring the depth of Tuvan folklore to life, highlighting the critical role of the female voice in this musical tradition.

Introducing Aigor and Choldug Koshkendey, the new generation brings their energy and inherited talents to the ensemble. Raised in a rich musical environment, they have absorbed the profound traditions of Tuvan music, ready to expand and contribute to the group's legacy.

Chirgilchin is set to embark on a highly anticipated tour in Fall 2024, marking their return to the international stage and introducing this renewed lineup to fans in the US and Europe. With this blend of generational talent, Chirgilchin continues to be a global ambassador of Tuvan culture, offering audiences a rare glimpse into the musical heart of Tuva.

As Chirgilchin embarks on this new chapter, they remain dedicated to their craft, promising performances that are as enchanting and innovative as ever. The addition of Aigor and Choldug signifies not just a continuation, but an expansion of the Chirgilchin legacy, promising to enchant a new generation of listeners with the timeless and transcendent sound of Tuvan throat singing. 

Chirgilchin Press

“Tuvan throat singing is a rarity in New York. But sung artfully in ensemble as it was recently at the Rubin Museum in Chelsea by Chirgilchin, the throat-singing champions of Tuva, a Central Asian nation on the border of Mongolia, the musical technique can be mesmerizingly beautiful.” –The New York Sun

“Hearing a throat singing concert is an astonishing experience that leads to a primitive dimension, where the self is drowned to become reunited with the fundamental nature around it.” - Pepperdine Graphic

“Dressed in richly embroidered blue silk robes with gold linings and thick black riding boots, Chirgilchin played to eager crowds last Sunday, blowing away music categories with their clear, brilliant, and unassuming mastery of throat singing. Their youthful friendly demeanor, and somewhat shy countenances belied an incredible vocal range. Though worlds apart from Americans, their earthy groove provided a bridge for mutual understanding.” - AsianWeek.com

“Chirgilchin is renowned for their mesmerizing vocal and instrumental performances, which are almost beyond description. Both atmospheric and rollicking at the same time, it is the indescribable multi-phonic vocal style of Khoomei that takes center stage in a Chirgilchin performance.” –Redwood Times

“The voices of three men turn into six distinct voices as each singer simultaneously produces two notes. Their voices are accompanied by the playing of small hand-crafted pine instruments that resemble cellos and banjos.” - Milwaukee Journal Sentinel

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